Album: Let the Four Winds Blow
Year: 1981
Style: Rockabilly, Punk
Similar Bands: XTC, Clash, Mink Deville, Dead Milkmen, Sugarplastic
"One-Word" Review: Jokey Theatrical Punk
Based Out Of: London England
Label: Stiff
Cover, Record
Back, Record
Let the Four Winds Blow (1981)- Let the Four Winds Blow 3:24 (single)
- Throwing My Baby Out With the Bathwater 3:28 (single)
- Trumpeters 4:10
- It's Easy to See 3:48
- What You Doing in Bombay 4:03 /
- Local Animal 4:04
- Her Fruit is Forbidden 2:58
- Tonight is the Night 3:45
- The Unpaid Debt 3:19
- The King of Siam 3:58
Members & Other Bands:
- Eddie Tudorpole - Vox, Sax, Guitar, Piano (Sex Pistols, Visitors, Cage Against the Machine, Richard O'Brien, Petter Baarli, Die Toten Hosen)
- Gary Long - Vox, Drums, Percussion (Tudors, The Commercials, Pearl Harbour, The Deadbeats)
- Bob Kingston - Vox, Guitar, Piano (Tudors, Pearl Harbour)
- Dick Crippen - Vox, Bass (Tudors, The Weird Things, King Kurt, Ministry of Ska, Pearl Harbour)
- Munch Universe - Vox, Guitar, Percussion
- Jos Holloway - Indispensable Man
- Alan Winstanley - Producer, Finger Cymbals
- Dave Allen - Machinery Operator
- Kim Aldis - Photos
Album Review: Their style and chosen identity is not represented at all musically. They are a mix of punk ala The Clash and rockabilly like Stray Cats, with some complex arrangements of mid-period XTC sprinkled in.
Their big break was when singer Tudor-Pole starred in the Sex Pistol's 1980 film The Great Rock 'n' Roll Swindle, and instead of replacing Johnny Rotten, Vicious died & the Sex Pistols folded, and he was able to pick up with the group he organized a few years earlier. While they only lasted a few years, and put out two albums and a slew of singles, Tudor-Pole has reformed the grouped often over the years, and has a bit of a style-rollercoaster of a career, playing in Cajun, jazz and swing acts and focused on acting for a time, which included hosting a UK gameshow The Crystal Maze in the late 90's. They were apparently goofy odd-balls with a wacky live show, adopting the chain mail and knights armor on stage stemming from Tudor-Pole's claim to descend from Henry VIII's lineage.
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