Phoids (The) - Marianne Doesn't Know Yet

Name: The Phoids
Album: Marianne Doesn't Know Yet
Year: 1997
Style: Pub Rock, Power Pop
Similar Bands: Smithereens, Track Star, Let's Active, Jayhawks, Uncle Tupelo, Replacements, The Forty Fives
"One-Word" Review: Urban Cowboy Rock Variants.
Based Out Of: NYC, NY
Label: Ng Records, BMG, 

Cover & Back photo

Liner Notes, CD, CD Tray Back

Marianne Doesn't Know Yet (1997)

1. The Great American Farmer 3:01
2. Baby Menthol 2:47
3. I'll Smash Anyone 3:39
4. M 3:25
5. You Know 3:58
6. Godel 4:48
7. Cop Out 4:13
8. Walk Away 2:37 (single)
9. Can't Go Back 4:04
10. Merkle's Boner 2:46
11. No Good 2:56
12. Driveway 3:40
13. Johnny's On Time 1:45
14. I Never liked you Much 6:12

Album Rating (1-10): 8.0

Members & Other Bands:

• Greg Bass - Bass, Vox (Erica Wylie, Jason Spiewak)
• Matt Chaiaravalle - Guitar, Vox (Forty Fives, Jill Cunniff, Ernie Halter)
• Jac Calabro - Vox, Guitar
• Michael Chambers - Drums, Percussion (Cantinero), 
• Tammy Lynn - Backing Vox (Battershell, Lenny McDaniel, Sevendust, Total Praise)
• Andy Kingston - Piano, Organ (Alex Dolan)
• Roger Lian - Mastering
• Jeff Gattens - Recording, Mixing
• Tom Doxanas - Art Direction (DOC Designs)
• John H Moore - Cover Photo
• Mick Rock - Liner Photos

Unknown-ness: Never heard of them, but from the photos, they look like they were on the tail end of alt-grunge, just as the tide was turning to a clean cut, smooth rock persona. I'm going to guess they are of their era, and will be similar to New Radicals or Fastball.

Album Review: The Phoids reignite the 80'sAmericana pub rock sound of the 80's with straight forward rock songs that try to keep one toe in a working class country pool. Sometimes they play gruff, driving tracks like the juvenile "Merkle's Boner" that steals a cue out of the Nirvana playbook at the end, as does "I'll Smash Anyone." "Cop Out" is a solid pop song with some shoegazing guitar, and a quick shuffling beat. Overall, this is a immensely palatable album of songs with slight variances on rock extending to the outer tiers of niche genres.

With a total of 3 albums that increased in quality along they way, the NYC based band gained minimal recognition as an opener and CMJ festival performer. But even with an accomplished producer on their 3rd record, they ended up disappearing from the spot light altogether.

Stand Out Track: Cop Out, Merkle's Boner

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