Name: Cartoon
Album: s/t
Year:1969
Style: Folksy Pop/Rock
Similar Bands: Tremeloes, Mercybeats, Hollies, Beatles, Bee-Gees, Kinks, Colin Moulding's XTC songs
"One-Word" Review: Late-60's-catch-all
Based Out Of: Glasgow, UK
Label: Atlantic
Cartoon - Cover, Back, Record
Cartoone - Liner Notes, Lyrics, Record
Cartoone (1969)
- Knick Knack Man 3:50
- Withering Wood 2:24
- The Sadness of Toby Jugg 2:39
- Penny for the Sun 3:06
- I'll Stay 2:07
- Girl of Yesterday 3:10/
- I Can't Walk Back 2:52
- Let Me Reassure You 2:20
- Mr. Poor Man 3:43
- Ice Cream Dreams 2:47
- Doing What Mamma Said 2:39
- See Me 2:05
Album Rating (1-10): 6.5
Members, Other Bands:
Derek Creigan - Bass, Vox (Chevlons)
Derek Creigan - Bass, Vox (Chevlons)
Mike Allison - Guitar (Chevlons)
Charles Mo Trowers - Guitar (Chevlons)
Chick E. Coffils - Drums
Jimmy Page - Guitar
John Cameron - Orchestral Arrangements
Dave Siddle - Engineer
E. Offord - Engineer
Brian Humphries - Engineer
Mark London - Producer
Duffy - Album Photo
Peter Dyer - Album Design
Duffy - Album Photo
Peter Dyer - Album Design
Unknown-ness: I’ve never heard
of this band. But from the style of the pictures on the front and back, I’d
assume they are a late 60’s Rolling-Stones sort of band. I like the band name
and logo, so I figured I’d give it a try. Can’t pass up on a band called
Cartoone, when I enjoy dark, carnival-style music.
Album Review: Cartoone’s
biggest claim to fame is that they employed Jimmy Page as a session guitarist
while Led Zeppelin was recording their first album. But the style of this band
is nothing really like their Zeppelin label-mates.
“Knick Knack Man”
begins with whistling and a chime-sounding guitar strum. Then, a slightly off “Ah-Ah-Ah”
harmony introduce the basic melody, and a very soulful and light Neil Young-ish
voice sings, leading into the chorus of Hippie and Bob Dylan-like metaphor and
word-play. The song finds its groove
early and does not detract from the one dimensional psyche vibe.
“Withering Wood” has
a very earthy folk feel to it, started with a rollicking slow vocal melody. It
follows up with a renaissance minstrel like tone, anchored by echoing flute
notes, haunting harmonies and it floats along in a daze.
“The Sadness of
Toby Jugg” sounds just like a Colin Moulding XTC song for the chorus. It then
evolves into a fun southern-rock Kinks, complete with an alcohol soaked brass
section, and wavering dream sections.
“Penny for the
Sun” is a slow, swaying, raspy crooning love ballad. A little like Tom Jones
without the confidence or swagger. Actually, what it would sound like if Cat
Stevens covered Tom Jones. I’ll go with that.
“I'll Stay”
starts with A Hard Days Night chord, and then the song takes a lazy turn to
more relaxed swamp rock.
“Girl of
Yesterday” has the light and airy atmosphere of the Bee Gees from the late 60’s
period, where the vocals glide over the melody of the strings and
instrumentation which is an early incarnation of a Disco-Love song with one two
feet planted in the folk community, but opening the door to the Disco nightclub
(in production only, not in danceable melody).
“I Can't Walk
Back” reflects thoughtfully on growing up, but the song’s style is like many of
the young college-touring boy vocal bands of the 50’s.
“Let Me Reassure
You” finally gets to the rolling stones Rock & Roll vibe, but the vocals
are less experienced and don’t hold any sort of punch. The music is fun and
entergetic.
“Mr. Poor Man”
falls back to the Stevens on Jones style of crooning folk ballad.
“Ice Cream
Dreams” is appropriately dreamy and fluid. This has the most echoy prog-classic
rock style vocals to tie them to Led Zeppelin. It also includes lots of
Bomp-Bomp-Bomps in the background of the chorus, functioning as a complement
melody. The construction of the song is somewhat like Lucy In the Sky with
Diamonds.
“Doing What Mamma
Said” falls in line with the light, flittering vocals that straddle the border
between soulful blues, and Bee-Gees folk-pop style. The strings are featured
prominently in the background bringing up the intensity when it is needed in
the bridge and chorus.
“See Me” also
feels like a Moulding XTC song in melody. It has a nice catchy groove, and more
good usage of Bop-Bop-Bops.
Stand-Out Track: The Sadness of Toby Jugg
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